Tag: australian fiction

The Monthly Wrap: July

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Well, well, well – that’s a stack and a half of books! I had a bit of a slumpy July to begin with and have now rediscovered my reading pace in the last week … so let’s get straight into it shall we 🤣📚

After finishing ‘The Marriage Portrait’ by Maggie O’Farrell, released in August and my second favourite literary novel of 2022 – closely tailing ‘Devotion’ by Hannah Kent (click here for review), I needed something to get me out of a gnarly book slump! I will be posting a book review of ‘The Marriage Portrait’ on its release day, that being the 30th of August. Yes, yes, I’m making you wait – but it’s for good reason 😍

I picked up ‘Salt and Skin’ by Eliza Henry-Jones thinking I will counteract my literary book slump with another EPIC literary fiction. Sadly, this did not go as planned. Salt and Skin covers heavy topics of grief, denial and continental travel. At this point in time, these were not topics I felt in the mood for reading (and as we know, I’m very much a mood reader). The bones of this book are fantastic and I have been pining for a pre-release copy of this to land in my hands for months now, therefore I will not give up! I am determined to read this in August and without fail, I will provide you with a review.

Mixing up my genres, I decided to dip my toes into a Fantasy – I thought this may help. Our Other Worlds Book Club had recently read and throughly enjoyed ‘Atlas Six’ by Olivie Blake and I had multiple members encourage me to pick it up. I found it available at my local library and decided now was the time. I really like the witchiness, the changing perspectives and learning each characters’ powers. The mystery behind their training and schooling is really interesting to follow and kept me gripped. However, a quarter of the way through this book, I went on holidays and it just wasn’t fitting the bill for a light, funny, holiday read – you know? Enter, ‘Today Tonight Tomorrow’ by Rachel Lynn Solomon.

Extract from 💫 Mini Review 💫:

“Ahh, this was just cute. It was cute and feel good and made me smile and made me laugh. It had all the feels and was the perfect enemies to lovers plot. Rowan Roth is a determined young woman and hard working right up to the very end of high school but her witty drive is pushed along by the likes of Neil McNair. The two have been in hefty competition with each other since the time they met. Their schooling has been a constant battle of who will be in first place and who will come in second. Rowan is set on not placing second best in their last bid for victory … winning valedictorian.

Yet as graduation looms and their end of Senior Year celebrations of a Seattle scavenger hunt kicks off, Rowan and Neil begin to realise that rather than opposing each other, they are smarter, swifter and more aligned working together than they ever realised. Slowly, they learn about one another’s lives outside of the small portion of school they experience with one another. Outside hobbies, passions and home lives come into play, furthering even more of their connection.”

I actually picked up my copy of ‘Today Tonight Tomorrow’ by Rachel Lynn Solomon while on holiday in Melbourne. I purchased it at Dymocks Melbourne, located on Collins Street. At the time, I also purchased ‘The Mars Room’ by Rachel Kushner (a literary fiction listed for the Booker Prize in 2018), ‘Before the Coffee Gets Cold: Tales from the Cafe’ by Toshikazu Kawaguchi (of which I read the first book last year and adored its Japanese morals, whimsical thinking and translation) & ‘The Soulmate Equation’ by Christina Lauren (recommended by an avid reader friend who also loved ‘The Unhoneymooners’ by Christina Lauren, as much as I did).

I then visited Canberra, in which I tracked down a Harry Hartog Bookseller. I purchased my copy of ‘Last Time We Met’ by Emily Houghton (contemporary romance) on that adventure! As you can tell from this stack of 5 book purchases, I was feeling the “easy reading’ vibes, with only one literary fiction thrown in there for good measure.

Back to what I actually read! Gosh Mel, way to get side tracked with book buying 😉 Presently, at home with Covid, I have had the time to finish a crime fiction novel, ‘The It Girl’ by Ruth Ware. This was suspenseful, twisty and great at developing characters into the kind of people you suspect and cannot stop following their motives. April Clarke-Cliveden was the first person Hannah Jones met at Oxford. Decked out in her luxury branded clothing, exclusive haircut and performative posture, April is clearly the kind of girl that makes herself known. She’s the ‘it girl’. April is clever, manipulative and powerful, until she ends up murdered on the closing night of her theatre performance … and Hannah is the one to find her. Moving back and forth, past to present, we now learn that Hannah is married and expecting her first child to April’s then boyfriend. Suspicious – yes ✅. Hannah also totally isolated herself from a number of their friends at the time after the murder. Suspicious – yes ✅. Hannah also gave evidence against a security footman in court to convict him of April’s murder, yet he has always plead innocent. Suspicious – yes ✅. Lot’s of things don’t add up and it made for a very interesting story. Full review coming soon 👀

Last but not least, I am currently reading and endeavour to have finished in a few days (iso and all), ‘When Only One’ by Meg Gatland-Veness. This young adult fiction opens on a school shooting in an Australian high school. The book is giving feelings of being set around the 70’s or 80’s time era with reference to things such as old Nintendos and Catholic ideologies. The heaviness and seriousness of this novel hits you immediately and I felt gripped straight away. Meg then takes us back in time through the lens of a teenage boy and his life a year prior to the tragic event. We learn of him, his life goals, his friends and who is struggling within the community – letting the reader peel back slow layers of who may have committed this horrific crime. The writing style is perfect, captivating and feeling.

So that folks, is the STACK! What have you book lovers been reading for the month of July? Have you been book buying? Share below 💬🎙

Author Talks with Nell Pierce

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Nell Pierce is the prestigious winner of the 2022 Australian/ Vogel’s Literary Award. This award is presented to an unpublished author and their manuscript, in the hopes of finding Australia’s next BIG literary author and launching their writing career. Nell Pierce was this year’s winner. Nell is already topping charts and our very own Literary Lovers Book Club is very excited to read Nell’s ‘A Place Near Eden’ for the month of July.

Welcome Nell and thank you so much for being a part of my Author Talks space online! It is an absolute privilege and pleasure to be discussing your debut novel and writing experience with you 😊

Nell, how does it feel to be a debut novelist and award winner all wrapped up in one? Congratulations 🥳

Thank you! It feels pretty great!!

I wrote a lot of A PLACE NEAR EDEN when I was living in New York. I was working as a literary agent, which was fun and fast paced (and also sometimes quite stressful) and before work I’d go to a Pret near the office to do a little writing. My job involved working with authors and helping them get published, so it was very inspiring but also sometimes a reminder of how hard publishing can be. I made my peace with the fact that my novel might end up only being read by my mum and dad. I just enjoyed the process of writing and having that part of the morning that I dedicated to myself. It was nice to have a project to work on that was just for me. I’d sit down with a coffee and sometimes some oatmeal or a yogurt and get out my laptop and that half hour was a little luxury.

When I found out I’d won the Vogel I was pregnant with my daughter, who was born around the same time the book published. It was funny timing, because I’d kept my pregnancy a secret for the first trimester, and had just started telling people, and was feeling really relieved not to have the burden of a secret anymore. I’m a terrible secret keeper, especially with happy secrets, like having a baby, I just want to tell everyone. So then, just when I thought my secret keeping was over, I got another happy secret when I found out I’d won the Vogel. I found out in September but I wasn’t allowed to tell anyone until the announcement was made in May of the next year. In the meantime, I worked with Allen and Unwin to edit the book, which was a fantastic experience.

I guess in summary I’m feeling really lucky!

What was your turning moment that made you click “submit” on your manuscript for The Australian/ Vogel’s Literary Award?

It was my partner, Mark, who convinced me to submit to the Vogel. I’d been working on the manuscript for so many years, I think I could have kept working on it forever! The Vogel’s Literary Award was a great deadline to help me stop working on the manuscript and start thinking about moving onto something new. And then when I won, I got to go back into the manuscript and start editing. It was very hard to part with the pages when it was time to finally turn them in. Even now, I’ll be in the shower, and I’ll think of a paragraph or passage that I wish I’d included.

Have Tilly, Sam and Celeste’s story always been with you? How did they come about and then their written stories come to fruition?

I really love the area around Eden on the south coast of NSW. I used to visit there a lot as a kid, and I love the ocean, the contrast between the calm inlet waters and the surf beaches, the gum trees and bush, and the sense of wildness in the rugged landscape. When I was living in New York I really missed that landscape, and so I started writing something set there so that I could mentally visit even though I was physically so far away. So I started with the setting even before the characters. Maybe because I spent a lot of time around Eden when I was a teenager, I started to think about a coming of age story in that setting. And, I think, the landscape around there is beautiful but also, especially in the context of ocean rips, sometimes dangerous, and so I think that gave rise to some of the darker themes in the novel.

After I had the setting, the characters of Tilly, Sem and Celeste came next. When I was coming up with their characters I was thinking a lot about the ways that we’re responsible for other people, especially the people we love, and also about the ways we can fail in that responsibility. I think Michael Ondaatje’s THE ENGLISH PATIENT touches on this in a way. Ondaatje’s characters claim that they are not ‘beholden’ to each other, despite their romantic relationships. I think about that a lot, perhaps because I struggle to understand it. I’m not able to have cool and detached relationships like that. So in my novel I wanted to explore the ways that we are all beholden to each other, and what it looks like to fail in those obligations.

From your experiences of working in Family Law Court of Australia, do you feel this has influenced your writing, depictions of characters and behaviours?

One thing that struck me when I was working at the Family Court was the way the parties to a relationship can have such different understandings of shared events. And I see it all the time in my own life as well. My partner and I have fought because he thought I was giving him unsolicited advice about his career when I thought he’d directly asked me for my input. Or there was the period he didn’t cook me mushrooms because he thought I’d said I don’t like them when in fact I love mushrooms and have no memory of saying anything to the contrary. And there’s nothing more frustrating and lonely than getting to the place where you just have to kind of ‘agree to disagree’ when you both just remember things differently. Those are small examples, but miscommunication and misremembering can easily turn into something much bigger. There can be a kind of horror in not knowing what the truth is, or having your idea of the truth disputed or disregarded, or not knowing who to trust.

I was captivated from the moment I started ‘A Place Near Eden’, until the moment I put it down. My favourite quote came from Sem and it surrounded his desperate need to make his own choices in a world where before the age of 18, jumping around homes and changing environments – he didn’t hold a lot of autonomy. My question to you is, where are you choosing to take your writing career from here? Are you a planner or choosing to let your creativity lead the way?

I am a planner! Some people can sit down and write a novel in a burst of passionate inspiration, but unfortunately I’m not one of those people. I like to take my time getting to know my characters and the setting and themes for the novel before I start writing. And I keep the first draft in handwritten form to remind myself that it’s just a draft and won’t be turned in or shown to anyone. That way I feel like I have the freedom to experiment and take risks. So that’s what I’m doing at the moment for my next novel. I’m experimenting with a few characters who knew each other in high school but are now in their thirties, and thinking about Melbourne, Amsterdam (where my family lives) and New York City. It can be tricky because sometimes I have ideas that I struggle to fit into my idea of the novel I’m working on. Like yesterday I had a vision of one of my new characters in her sixties, but I’m not sure if there’s room for that period of her life in the book. I try to hold all those ideas loosely and just see where it goes.

Thank you Nell for your time, care in response and well, your novel! It’s an absolute joy to have shared our interview on melreviewsherbooks.com 💖🎙 Another big cheer for Allen & Unwin for sending me a copy of ‘A Place Near Eden’ for review and recommendation 🥳 To check out my review of Nell’s book, click here!

Book Review: ‘Paperbark Hill’ by Maya Linnell

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If you’re looking to fall in love with a new country romance writer, Maya Linnell is your gal! She just gets it – the challenges of falling in love in rural areas, small town community feelings of support and shared business, opinions and expectations. She also holds a firm grip of what the dynamics of inside a family look like. Her writing makes you feel as if you’re sitting around a dining room table, in a country home, having realistic conversations about farming, family and children.

Paperbark Hill is the conclusion to Maya’s four book series following the McIntyre sisters. All books can be read individually but have overlapping characters, environmental settings and storylines. Believe me when I say, Paperbark Hill has set me up well for devouring the rest of Maya’s books!

Paperbark Hill follows Diana McIntyre and her 4 boys as they learn to navigate and continue on their lives after the death of their stronghold, their husband and father. Diana is surrounded by her loving sisters and father, who encourage her dreams of cut flower farming, selling locally and creating a name for herself in the industry. Flower farming and raising her 4 boys is the highest priority. This remains so throughout the novel. Her thoughts and feelings do however increase when Ned Gardiner, an ex-local comes back to town after the unexpected loss of his father.

Ned is a locaum pharmacist and a bit of a gypsy. His flexible job allows him and his two beautiful, sweet and worldly children to move around. This is bit of a relief for Ned after his wife and mother to his two children, just up and left. Ned’s routines and travelling is thrown out the window when the loss of his father brings him back to his home town. His father was a keen chicken egg farmer and flower gardener. It also turns out, his father was Diana’s sidekick in maintaining and starting her flower farming. Both Diana and Ned are feeling the heavy loss of Ned’s father, which ultimately brings them together.

The warm buzz between Ned and Diana grows. Their time spent together in the flower fields, bringing their children together for play dates, stopping for afternoon tea together and chatting over salty scones, are just some of my favourite subtle ways of their relationship growing. I really could appreciate that their relationship was about stability, trust and respect. They’ve both been hurt in the past, they both have children who are the centre of their world, and they are both trying to navigate new found love at 40+. It’s slow, romantic and the development of love grows through gesture.

I think Maya was clever to include some challenges to new found love at 40. She wove the protests of children surrounding new parental relationships and the questions they ask. Diana’s teenage boy found the adjusts hard and was defiant in letting a new person into Diana’s life. He felt as if Diana would forget about his father and not acknowledge significant past birthdays or anniversaries. However, he grows to realise that it is about a balance of blending the two together and recognising that Ned is never going to stop Diana from loving, thinking of, or celebrating her late husband. Ultimately Ned and Diana show harmony within their two families individually, therefore when they bring the two together, it is just a big group of love and happiness!

Reading Diana and Ned’s story had me swept away in a matter of 48 hours – I couldn’t step away from their story for too long!! I am incredibly grateful and humbled to have received this copy of Paperbark Hill from Allen & Unwin and Maya Linnell to personally read and review 💖 This copy of Maya’s book has already been loaned a friend to read and also love 💫

Book Review: ‘A Place Near Eden’ by Nell Pierce

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Wow. Wow. Wow. Nell Pierce coming through with the award winning literary fiction. Nell is the prestigious winner of the 2022 Australian/ Vogel’s Literary Award. Okay cool Mel, but what does this actually mean? My fellow reading friends, it means that Nell had worked dang hard on her book like all authors, was selected out of a HUGE bunch of unpublished manuscripts, fit the bill of being under the age of 35 AND has now had this manuscript published, promoted and sold with Allen & Unwin. So let me tell you, this book is a no brainer for you to pick up in 2022.

A Place Near Eden follows three main characters; Tilly (Matilda); Sem; and Celeste. Their intricate, manipulative and submissive relationships with one another creates the whirlwind of events and downward spirals in this novel. The overall theme that has really kept me thinking and pondering long after I finished, is manipulation. A Place Near Eden shows the different types of manipulation a person can face in real life. This novel shows strong instances of verbal manipulation, tv and film consumption that had been manipulated to make you believe a persons’ innocence, and manipulation through the streams of social media. There has been a tragic ‘accident’ near Eden and we begin to slowing unfold who was involved by back tracking Tilly’s story, but is Tilly’s story real and honest? Or has it been created through the manipulation and impression of those around her, who are aiming to save themselves by throwing Tilly in the firing line.

At the beginning it is brought to the reader’s attention that teenage Tilly is facing a change in home environment. Her new foster brother Sem, has moved in and her parents are at odds over Sem’s behaviour and his influence on her. Tilly idolises Sem and begins to develop romantic feelings towards him. Now bring Celeste into the mix – she is Sem’s ‘girlfriend’ and next door neighbour. Celeste is older than Tilly and has a teenage strength about her. She wears her midriff tops without the worry of wandering eyes, lies and boasts about going all the way with Sem. Celeste creates arguments with her Mum and Sem for no good reason other then wanting to have a fight, she talks Tilly into drinking a lot, she criticises and makes fun of Tilly for getting a job and then goes and gets one herself, she also convinces Tilly to not keep any other friends. Celeste is clever, manipulative and calculating. She can also strongly influence and convince Tilly’s change in mindset, mood and memory.

For me, quite early in, Tilly reads as an unreliable narrator and this kept me flipping the pages. Tilly talks in the past of her coming and going relationships with Sem and Celeste, moving out with Celeste, drinking a lot, counselling sessions arranged by her Dad to draw out information on Sem, her unusual relationship with her near absent mother, and the place of spiritual awakening that Sem and her mother would visit way out bush. Tilly is talking to someone in the present, someone who will be learning about Tilly, Sem and Celeste’s story through a documentary. This documentary has been created, aired and viewed to expose the possible scenarios leading up to the accident near Eden and who is responsible. Due to Tilly being an unreliable narrator, for a long time she is convincing you, as the reader, that she is responsible. She is telling you she has destroyed someone’s life and should be punished – yet as Celeste and Tilly’s relationship begins to unravel, we can’t be so sure as to who’s the guilty one.

This novel is challenging for me to write about without giving too much away. I really enjoyed the not knowingness of jumping in with just the blurb for reference. I want you to experience that unknown feeling too! Therefore, I will finish this review with one of my favourite lines in the book. This stood out to me the moment I read it, as I felt it can sum up Celeste’s mind games, Tilly’s influenced inability to make choices and Sem’s unreliable nature. It can also sum up young adulthood, pivots in life paths and personal growth;

“Don’t look at me like I’m crazy,” Sem said. “It’s okay if you don’t see things the way I do. It’s just important to me that I make my own choices, that’s all.”

One big cheer and shout out to Allen & Unwin, as well as Nell Pierce for generously sending me this (now well read, tagged and already passed around) copy of ‘A Place Near Eden’. I am so SO very grateful for the experience 💖

Author Talks with Isobel Beech

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Isobel Beech is an up and coming, young Australian writer. Her first fictional novel ‘Sunbathing’, was published with Allen & Unwin this month (May, 2022). 📸 by Claire Summers

Isobel Beech is going to take Australia by storm! With a background in copywriting, creative and internet news media, she is well versed in the book world. Her first book titled ‘How To Be Online and Also Be Happy’, was published in 2021. Her spectacular debut fiction called ‘Sunbathing’, has been published with Allen & Unwin this month (May, 2022).

Welcome Isobel and thank you so much for being a part of my Author Talks space online! It is an absolute pleasure to be discussing your new novel and writing experience with you 😊💬

Isobel – wow congratulations on such a moving debut novel! How long has it been in your heart to write fiction? Have you always seen fiction in your writing journey?

Well, I only started doing writing stuff around ten years ago but the first few things I ever wrote were fiction because I was studying a Bachelor of Creative Writing at RMIT. A lot of the curriculum revolves around poetic and narrative-based writing techniques, so I suppose I learned how to write – or learned how I might someday want to write – with fiction.

 I’ve done a fair bit of non-fiction writing since then for online and print media but fiction writing is just less of a pressure cooker I think. It’s so much more open-ended, so much more creative, you can really go wherever with it and say whatever needs to be said. And with it you can build the worlds you wish you lived in, or the worlds you wish you had access to. Like with Sunbathing, so much of the driving force behind the story there is about having a final conversation with a person you’ve already lost. That kind of closure you can only dream about. Writing this book gave me that.

The feeling of your writing style had me captivated from the very instant I started reading Sunbathing. That feeling of connection didn’t waver and had me finishing your novel in less than 48 hours. How long did it take you to plan, write and have Sunbathing published with Allen & Unwin?

Thank you! I’ve heard that people are finishing it quickly which I definitely take as a compliment; I love being able to read a book in a couple of days, I think it really helps to feel like you’ve been transported and lived it yourself.

And I didn’t plan the writing process at all really, I just began. I was at a writing residency in Italy and just wasn’t sure what to do with my time; I wasn’t feeling very motivated or like I had anything worthwhile to say at the time, so I just started writing some stuff down to pass the time. Things I saw that day, dreams I had, the smells and sounds around me. Then the document gained momentum and I began to find bits I liked in it that I wanted to interrogate more. And then I realised I wanted to bring the grief stuff into it – something I was kind of wading through at the time. 

The writing of the first manuscript took around three weeks, then probably six months to sort out and edit and rearrange on my own. Which is remarkably quick for a novel, but I think I just had this spare time and was obviously really invested in telling this story and a lot of it wasn’t fiction – not the feelings or the essence of it – so it kind of tipped out of me. That was in 2019.

By the time I decided it was finished, I actually didn’t know if I wanted to share it with the world at all. Because it felt like a pretty big thing to write about and I was afraid of putting it out there, I guess. But I met with Kelly (from A&U) and we talked about how we saw the book and what it might mean to me or to others as a published thing and she just made the decision really easy. We edited it in 2021 between March and December, and so all up it was probably just under a two-year project. 

So, quick to write and quick to read as it turns out.

I really enjoyed the namelessness of the main female character. She is one person healing from grief, yet she is many. She is one 21st century woman, yet she is many. Through this, I ultimately felt extremely connected to her. What does her namelessness mean to you in the story? Did you begin with a character name or was she always nameless?

She was and absolutely for that very reason. I’ve always enjoyed being able to step right into a character and I feel like the less information you’re given about them – particularly the superficial stuff – just makes that easier.

In the beginning she was genderless, too, and a lot the talk of ‘women’ and ‘men’ stuff included ideas and feelings on gender identity and how there’s so much outside of that binary and what that means for us and our relationships. But in the editing process I was convinced, and rightly so, that these ideas weren’t being given enough air time within the narrative to be doing them justice. So we culled that stuff and she became a she. 

I think it works and is good, particularly for the function of her experiences as a daughter of a dad and what that means for their dynamic, but I’ll have to save the gender dysphoria for the next book.

What has the feeling been like for you, to walk into a bookstore and see your debut fiction novel on the shelf? Or turn on your social media to see your novel pictured, shared and reviewed with so much love?

It’s just a total smoothie of feelings right now! I feel lucky, confused, delighted, exposed. I had no idea what this time was going to be like but thinking about a few months ago, I realise I was being super pessimistic (my editor will attest to that). I just had this idea in my head that it was going to be really challenging, I guess because I’m writing about something that makes me feel vulnerable, and I was thinking I’d be having a hard time with it out there in the world, being consumed by people and commented on. But it’s just been the total opposite of that. It helps that people are saying really nice things about it, like I haven’t really been hit with any criticism yet so maybe ask me again then, but so far it’s felt like a really worthwhile thing to have done. 

A friend said to me the other day, like, how great it is that somehow, this thing that used to cause me all this agony is now the source of all this solace and warmth, and that’s true. I’m suddenly associating this pretty painful thing with good feelings, with these incredibly meaningful conversations and connections. And that’s just the most beautiful, strange, incredible thing.

Thank you Isobel for sharing a piece of your time with me on melreviewsherbooks.com 💖

Book Review: ‘Sunbathing’ by Isobel Beech

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I sit here, writing this review with a cup of Italian coffee and biscuit in tow. I do not think I could have a set up any more fitting. Isobel Beech has created a novel that draws you in from the very beginning. ‘Sunbathing’ by Isobel Beech, takes place mostly in Abruzzo, Italy. The setting is described in such an emotionally and physically connecting way that you feel the Italian breeze, smell the freshly cut tomato salad with basil and olive oil, hear the gurgling of fresh coffee on the stove in the morning, and can imagine the footfalls and efforts of love in the vegetable garden below your window.

I need to preface that this novel does surround the topic of suicide, therefore please read this review with caution and/or pop back onto the blog for another book review soon xx

“… ‘Sunbathing’ explores the workings of the self in the wake of devastation and deep regret, and reveals the infinite ways that the everyday offers solace and hope.”. Transcribed from the back cover of ‘Sunbathing’. In summary, this quote covers the essence of this novel completely.

After suffering the great loss of someone close, an Australian woman books a plane ticket to Italy. She is travelling to stay with her best friend, Giulia, and her fiancé Fab, in their old stone village home. Isobel lets your mind wander as to the setting of this home, and I say home because this is the instant feeling the Beech portrays. It is a place of comfort, warmth, support and hope. We know there is a vegetable garden that Giulia tends to and waters from the buckets of water both the women go walking for every few days. We know that Fab is a writer and pops up to say “Ciao” whenever he hears his name being discussed, either inside or outside the home. We know Giulia and our female main character sit and talk over homemade meals deep into the evening, under the big shady tree in the back yard. We know our main character feels responsible for the loss of a significant figure in her life to suicide. We know that this feeling is one that plagues her mentally and emotionally. Her grief is incongruent to the way she believes is ‘expected’ of her – her grief does not follow a pattern.

It is incredibly unique how connected a reader can feel to the main character through the workings of their inner most thoughts and internal dialogue. The main character utilises online platforms to try and refresh her mind, yet only finds herself feeling more self-destructive after seeking it out. The online and in person conversations about suicide and taking ones life, she finds quite flippant. There is a sense of nobody knowing what she is going through, therefore nobody can help fix her and the significant shift to her life. However, the slow pace of life with Giulia and Fab in Abruzzo, learning to understand the language, making friends with a stray cat called Bric and taking care in planting, tending and caring for, then harvesting their own food and appreciating all it does for the human body, becomes her salvation. Day by day, the sun would rise, the coffee would boil and the routines would begin to heal her.

One of my favourite parts of this novel was seeing how the main characters perspective about Bric, the stray cat, changed over time. To begin with, Bric would only visit Giulia and Fab’s home every so often for food. He was more of a neighbourhood cat but this worried our main character. She was terrified that he wouldn’t return, he would become lost and starve. This became comparative to the loss of the significant person in her life. She felt that if she looked for Bric, fed him and cared for him, he would stay with her. Sadly, no matter how much nurturance and love she expressed to Bric, she couldn’t make him stay. Towards the end of the novel, our main character comes to accept Bric’s coming and going, taking the pressure off herself and understanding that Bric can only extend a portion of himself to her. Nor is he something she, and only she, can feel responsible for on her own.

I also really enjoyed the overarching concept of the old birthing room, turned guest bedroom, that our main character resides in while staying at Giulia and Fab’s home. Throughout the novel, our main character is rebirthing herself into a new person that lives with the loss and grief experienced in her life. It does not leave her completely, it just becomes a manageable part of the new person she’s growing into.

This is one of the most touching books I’ve read this year and I can see myself re-reading it in the future. It is surely one I will be recommending to my local literary book clubs. It is a novel to read with openness and care. I believe it is greatly worth it.

Book Review: ‘The Girls of Lake Evelyn’ by Averil Kenny

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Before I jump into this book review, I would love to give one big hug and cheer out to Allen & Unwin, Echo Publishing and Averil Kenny for sending me this beautiful copy of ‘The Girls of Lake Evelyn’.

‘The Girls of Lake Evelyn’ is a story about a curse, a playwright and a runaway bride. It is a story that wraps you in hopes and dreams, and allows you as the reader to escape into a world where the essence of small community care, love and support trumps all adversity and challenge.

💬 Let’s talk main characters:

Vivienne Brinsley is a high society young women living in Sydney at the beginning of the novel. It is the night before her wedding to Sydney’s biggest catch and high market man – yet she’s torn with feelings of dread and despair at signing up to a life she doesn’t truely want. Her mother cannot stand to listen to her discontent, so Vivienne turns to her Uncle Felix. Uncle Felix helps Viv escape her loveless relationship and expected life. He sets her travelling on a path to a small town in tropical North Queensland. Here Viv will find her confidence again, explore new friendships and possibly even fall in love with a rugged, handsome and hilarious dairy farmer, Owen.

Josie Monash is a small town gem! Even as a young woman, she has grown up to be a pivotal part of her community. Side stepping her dreams of city starlight and broadway, Josie has remained on her family dairy farm to take care of her Father and two brothers after her mother passed away. Josies’ Grandmother plays a big role in guiding her life choices and has always been a headstrong woman (maybe this is where Josie gets it from). Her Grandmother is determined to see Josie’s theatre directing skills have hit reviews in Sydney’s biggest newspaper. Her Grandmother can see such potential and how tirelessly she works to help others – now it’s Josie’s turn to bloom. So when Vivienne arrives to town and starts swimming in the cursed Lake Evelyn, Josie’s hit play seemingly comes to life.

✏️ Let’s talk plot:

Not so many years ago, a beautiful movie actress, Celeste Starr, tragically died in the lake and it spawned a curse that has plagued the town ever since. Josie’s play is set to uncover the true story behind the life of Celeste, yet it will not come without some adversity and unsettlement from community members. Lake Evelyn has been barricaded off for years now because of community fear. Josie is up against a number of people who do not trust Lake Evelyn and its ghosts.

As Josie persists with the play, people will begin to show their true colours. A number of characters are not who they seem and their small, unsettling parts in the novel, eventually surface what true motives lie beneath. Long kept secrets slowly reveal themselves in the most well paced and slow burning way!

⭐️ Final thoughts:

I loved that this novel, much like Those Hamilton Sisters by Averil Kenny (click on the title to read my Author Talks with Averil). ‘The Girls of Lake Evelyn’ has all the good things you’re looking for in a time period novel. Drama ✅ Mystery ✅ Romance ✅ Perfectly paced reveals ✅ Escapism ✅

I’m not lying to you when I say we have had to restock this novel in the book shop over 5 times now! Averil is a hit!! Her writing is DEvine and captures the reader with such lyricism that it becomes hard to put her novels down. I am so incredibly grateful to see, hold and enjoy another novel from her and can only predict that Averil is set to continue creating beautiful stories in the future. She is an instant purchase for me and I will be recommending her until the cows come home (🐮 I hope this was an Owen approved pun!).

‘Devotion’ by Hannah Kent

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Hannah Kent has not failed to rip my heart out and then piece it back together again in her latest historical fiction novel, ‘Devotion’. I am in a book slump after reading this book and I’m finding it so hard to get the fictional characters of Hanne and Thea off my mind. Their love story is one for the ages and honestly, if you have not read this book, I strongly encourage you to find your nearest book store and buy a physical copy. Your note taking (if you’re that way inclined to annotate your books) is going to be flooded with pen marks and highlighted passages.

Growing up in the German village of Kay in 1830’s Prussia, Hanne represses her expectations of female friendships and socialising. She much prefers to be a child of nature as from a young age, believing to hear the whispers of trees, the nearby stream and the movement of air. Hanne knows that her love for nature makes her different from the other teenage girls in the village. It isn’t until she meets Thea that Hanne realises her long inherent beliefs of romantic love are also different.

Hanne’s family are set to follow their local Pastor to the new found land called South Australia. Here their community of Kay can continue to practice their Old Lutheran beliefs and spread the devotion of God. However, in order to get there they must sell everything they own and sail for months on end. (This is the part of the story where your heart will break. You will be baffled, you will find it hard to believe that Hannah has put us as the reader through this much horror, but you will also find it incredibly hard to stop reading).

At sea, they travel with their village for months on end. You feel the fear and uncertainly of being in the middle of the ocean without seeing land in sight, you smell the stagnate underneath living quarters and you sense that sickness and death is looming. It is inevitable and the inevitable does happen, but to whom? We see and feel love bloom, to then be ripped away from us. Hanne and Thea’s story falls short in so many ways but it only makes you realise how quickly your expectations of life can change in one moment.

The third section of this books is a mirage of life, yet through a different and troubling lens. It is raw and harrowing and heartbreaking. I continue to be utterly amazed at how hard hitting the writing of this novel is but yet it is delivered in such a rich and vibrant way. This is a big call to make but I truely believe that Hannah Kent had produced another national and international, award winning fiction. If this book does not move you, read it again! In my eyes, Hannah Kent is the reason we read fiction.

Book Review: ‘The Lost Flowers of Alice Hart’

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Wow folks it’s been a hot minute! Where have you been Mel, you may ask? Well, it’s a busy time for bookselling and book recommendations! This makes me incredibly happy but it is also quite tiring, leaving me with limited time to write my regular book reviews. Things will slow down soon and uploading will become more regular – I promise 😉

So, a little while back (maybe 2-3 weeks ago), I finished The Lost Flowers of Alice Hart by Holly Ringland and honestly, I can absolutely see why this debut Australian novel caused a stir of positive discussion in its publication year of 2019. Additionally, I believe it is truely well worth the 2019 Australian Book Industry Award.

To begin with, a little disclaimer that this novel is strongly focused on the effects of domestic abuse and it’s long-lasting repercussions. Don’t let this put you off because it is a beautifully woven story.

Alice Hart is a young girl at the beginning of this novel. She is living on an isolated property with her whimsical, young and intelligent mother who speaks daily with love to her flowers. However her father has a consuming presence in her childhood, utilising narcissistic and abusive behaviours to control both Alice and her mother. Alice is aware of her mothers physical signs of abusive, yet it isn’t until she is on the receiving end of her father’s behavioural abuse does she realise that her childhood is not necessarily a happy one. Events occur and Alice uncovers a hidden secret of her fathers which ultimately leaves her as an orphan. Alice’s world then expands in ways she never knew possible.

Alice’s paternal Grandmother, June (a family member she never even knew existed), becomes her legal guardian. June takes Alice to live on her flower farm, Thornfield. Thornfield actually doubles as both a workplace and a safe house for women and children escaping domestic abuse. This environment of love, support and kindness is all new for Alice and quite hard to comprehend.

We continue to live through Alices’ experiences as a teenager and then as a young woman. Artistically and brilliantly, each chapter starts with an image and description of an Australian native flower. We learn to understand the language of flowers with Alice, where each flower comes from, how they look and what they mean. Without giving too much away, Alice soon becomes tangled up in her own abusive relationship. Interestingly and intelligently, Holly Ringland has peeled back the layers of emotional, mental, financial and physical abusive all in one novel. It is eye-opening, destroying and hard to put down. You want to throw the book across the room in exhausted anger but scavenge it to keep reading! As the reader, you yearn for Alice to see through the behaviours of her partner yet it is so explainable as to see why she doesn’t, creating the perfect depiction for domestic abuse. You’re a witness to her inside thoughts but you’re also weighing up the decisions she’s making from the outside as the reader. It is fantastically terrifying.

I think, if you can give yourself the time before the end of the year, read this book. Or if not, add it to your TBR for 2022. It will stay with you and make you become a full on advocate for exposing and supporting domestic abuse in Australia – maybe even around the world.

Book Review: ‘The Labyrinth’

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I am utterly speechless and surprised. Not only in this book but in myself. Literature is not often my forte, nor do I usually find pleasure and addictiveness in reading literary language, plots and character conversations – yet THIS! WOW! I am blown away and can 100% see why ‘The Labyrinth’ by Amanda Lohrey won the Miles Franklin Literary Award for 2021.

Where to start …

‘The Labyrinth’ begins with the introduction of Erica, our main character. She is reflecting on her time as a child where she has just witnessed her mother abandoning Erica and her brother, Axel. They are left in the care of their father, who raises the children on the ground of a psychiatric facility where he also works as the head psychiatric doctor. This environment sets a feeling and acknowledgement of intense mental health and psychotic episodes throughout the novel. This theme reoccurs when Erica is comparing the life and work of her father, to her son Daniel.

Daniel is an incredibly interesting character in this story as we meet him whilst in goal. Erica bought and moved into a small coastal beach shack to be closer to him. We know that he is in goal after obsessing over a person, mostly through painting and drawing this person over and over. It is implied that this obsession then took a bad turn. Daniel connects to the world through his art, and there is an amazingly dark scene where Erica visits Daniel in goal after she has written multiple times to the goal administration to allow Daniel oil pastels. Daniel receives these but at the visitation with Erica, he breaks one in half, sits half on the table for her and proceeds to place the other half in his mouth, chew it and smirk as Erica. It’s twisted and dark and psychotic. You’re left thinking as the reader, what does this mean?! All the while, Erica continues to visit him due to this feeling of responsibility for him being the way he is and self-sabotage.

The idea of building a labyrinth comes to Erica in a dream and she feels this overwhelming urge to create one. The process of designing, developing, finding the right stonemason, obtaining material and the emotional support along the way, is all part of the core plot. The story is quite simple, yet it isn’t. Majority of my book club really enjoyed this novel and felt that Erica’s journey really did represented a Labyrinth. The circling relationship with Daniel, the moving past different characters and not overly investing time in or with them, or getting to know them. Erica’s dreams and final scenes in the novel were incredibly raw and moving.

I love that the Literature Book Club I’m leading is really pushing me out of my comfort zone. The discussions are AWE-some and really switching on this appetite for more Australian literature. If you’re looking for a novel to ponder over long after it’s finished – read this one!