I’ve recently discovered the joy and creative expression of a Reading Journal and I have to say … I think I’m a changed reader. I’m already onto my 5th book for 2024! Who even am I?!
A reading journal is either a blank, lined or dot grid journal that you use to log a variety of bookish things. For example, you could log:
– your reading goals for the year
– track the genre of books you read each month
– log your favourite anticipated releases
– collected stats on your star ratings
Basically, reading journals are a great way to motivate you into reading more, reflect back on your month & year of reading and patting yourself on the back as you move through the months by ticking different pages or reading challenges off.
Now, I’m all new to this and it’s something that I felt motivated to do as I wanted a creative ‘down-time’ hobby that I could also turn into a workshop next year.
I promise you, I’m no artist and I guarantee you don’t have to be either.
I think the main take away from reading journals is that you feel fulfilled by your own creative abilities and take the time to look back on small (or big) successes throughout the year.
I will be using my reading journal to also write personal journal entries. I’ll dedicate pages to write about experiences I’ve had throughout the year or if a book I’ve read reminds me of a memory or experience I’ve had. I think the double whammy of reading reflection and personal reflection will be a nice token for future Mel 💝
+ a beautiful friend of mine encouraged me to be dynamic with my reading journal and really make it my own!
Here are a few YouTube videos that helped kick off my reading journal journey (say that 3 times fast 😉)
Rachel Catherine is an Aussie BookTuber that a dear friend of mine introduced me too 💖
Destiny is a BookTuber that Rachel Catherine refers too often
Steph Vizard has burst onto the Australian romance writing scene with her debut & award winning novel, The Love Contact.
Steph has a wealth of experience in the Australian and international book industry. From studying Literature at Oxford University, to working in publishing in London, to now writing her own Australian story which has won the 2022 HarperCollins Banjo Prize. I think Steph is in for an absolute cracker of a writing career ⭐️
Welcome Steph, to Mel Reviews Her Books 💖
Steph, congratulations! A published novel AND the winner of HarperCollins Banjo Prize for Fiction! Can you share with us a little bit about your journey in applying for this book prize and what life as an author has been like since?
Thanks so much! I wrote The Love Contract during my maternity leave and then submitted it to the prize when I went back to work. The process for the Banjo Prize is that you submit the whole novel so I tried to have my manuscript in the best shape I could when I sent it off. A few months later, out of the blue, I got a call from HarperCollins to tell me that I’d won the prize and that the book was to be published. It was a truly magical moment!
Life as an author has been a whirlwind and an incredibly fun ride. There have been some massive highs – seeing the cover for the first time, holding the first real life copy, a book launch surrounded by my friends and family, doing an interview on live TV. That said, I had a 3-month-old baby when the book was published so that’s kept things very real! One of the best parts of being published has been meeting so many other talented Australian writers – it’s the most supportive gang of people!
The Love Contract had me hooked from the beginning! I absolutely adored Zoe and Hazel(nut). You’ve written the realities of motherhood in such an accurate light and formed it into a gripping plot line. Did you always know motherhood would be the leading theme in The Love Contract?
I’m so glad it had you hooked – I was so keen to write a book where the reader wants to keep turning the pages! I think when I started to write The Love Contract I knew that baby Hazel would be part of the story, as she’s the reason Zoe and Will are forced to spend so much time together. But I think it caught me a bit by surprise how much I had to say about motherhood. I think I was hungry for stories about women trying to do all the things, including career and parenting, that didn’t shy away from the really tough stuff but also showed the incredibly funny and joyous parts of parenting.
Will, what a sweetheart. With his stiff, business-like composure whenever the topic of work is discussed but then his carefree and loving nature with Hazel. He’s swoon worthy! How did the characters of Will, Zoe & Hazel come to you?
I love Will! He has a lot of qualities I find very attractive – he’s smart, acerbic and (secretly) very caring. I like that he’s a straight shooter and isn’t a people pleaser – which is a nice ballast to Zoe. I think he was inspired by people I’ve met who are incredibly brilliant at their jobs and work super hard but have never stopped to think about why they’ve chosen their particular path.
With Zoe, I really wanted to write a romantic comedy heroine who is pretty pulled together and trying to pull off the life she wants to lead – she’s just completely overwhelmed.
Honestly, I think Hazel was just inspired by how cute and funny and ridiculous babies can be!
Steph, what advice would you give to budding writers aiming to land a publishing deal or researching & applying for book prizes such as HarperCollins Banjo Prize for Fiction?
I think my main bit of advice is to go for it! With prizes it’s worth being organised as there are different deadlines and entry requirements to keep in mind. I think (and maybe this is incredibly obvious) it’s important to always submit the best version of your story that you can, and things like craft books, writing courses, writing podcast, early readers and manuscript assessments, can really help on this front. I also think that in our busy lives carving out the time to write is always a challenge, but if you can find a consistent, small parcel of time to write every day, the words will happen!
Steph, thank you so much for sharing your time with us on Author Talks & Instagram Live Saturday 13 January 🎥
I wish you all the best and can guarantee that I’ll be pre-ordering your next novel!
Maya Linnell is a bestselling Australian rural fiction author. Her writing career launched into the lime light in 2019 with the successful publication of her first novel ‘Wildflower Ridge’ with Allen & Unwin. From that year on, Maya’s has written 3 more books, she’s been backed by huge recommendation platforms such as Better Reading, and launched a fantastic blog, digital newsletter and reading community.
Welcome Maya and thank you so much for being a part of my Author Talks space online! It is an absolute pleasure to be hosting one of my favourite Australian rural fiction writers on the blog 💖
Maya, when did you fall in love with country romance writing? And what was your turning moment that influenced you to write your own novels? In my 20s I was lucky enough to score a cadetship at a rural newspaper, which provided the perfect base for my love of words and country stories. I covered everything from school news and netball reports to front stories and advertising features, but the longer feature pieces, where I was allocated 3000 words to tell the amazing tales of local residents, quickly became my favourites. This enthusiasm for long-form writing put me in good stead for fiction, although it wasn’t until mid-2016, following a late-night conversation with my husband, that I decided to write a novel. I’d been a stay-at-home mum for eight years at that stage, we’d almost finished owner building our home and our youngest child was about to start kindy. It was the first time I’d shared my dream of writing a novel and from that moment on, I did everything in my power to make it happen!
Taking a step back to ‘Wildflower Ridge’ your first novel published with Allen & Unwin, how would you have described that time in your life? Debut novelist, book deal and expectations? It was a whirlwind of excitement, and I celebrated so many momentous steps along the way; finishing my first draft, making finals in writing competitions with Romance Writers Australia and sending my manuscript out into the world. I was thrilled to score a two-book deal with Allen & Unwin a few months after I’d started pitching my novel. The contract offer burst into my inbox when I was grocery shopping with the kids on a midwinter’s afternoon, July 2018 (cue cries of delight in the fruit and veg aisle). We threw an impromptu party with our neighbours that night. Champagne never tasted sweeter! In terms of expectations, as a debut author, I just hoped that someone other than my school pals, family and former colleagues would buy Wildflower Ridge and enjoy it! Seeing the novel in bestseller lists and award finals was phenomenal the first time, and to experience that success again with the following three books completely exceeded my expectations. I’m so grateful for the generous support from readers, booksellers, bloggers and fellow authors, plus my fabulous publishers, Allen & Unwin.
Describe your life now for me and those reading, 4 years on from the publication of ‘Wildflower Ridge’. Nowadays, I write full time and juggle my author life with family commitments, book blogging and our small property in rural Victoria. Letters from readers are one of my favourite things and it’s a joy to share snippets of our country life on social media @maya.linnell.writes, in my monthly newsletter and with occasional podcast takeovers. I’m also an advocate for authors and libraries and host a free online show called ‘Library Lovers’ on the third Wednesday of every month. We talk all things books, baking and gardening during the show, and I’ve just locked in Jane Harper for October. I couldn’t be happier!
‘Paperbark Hill’ is the final story in the sister quartet you’ve created, written and published with Allen & Unwin. Has it been hard bringing the McIntyre sisters’ stories’ to an end? The McIntyre sisters have been wonderful company these last four years, and after such a warm response from readers, it is hard to farewell them. I’ve had plenty of requests for future stories using minor characters from this series, so perhaps one day I’ll revisit Bridgefield and check in on them. But for now, I’ve got a whole new series to write!
Maya, you are a powerhouse of a woman and I have been honoured to meet you in person, therefore I can easily say you’re a loving mother, incredibly humble and kind being. You’re also a flower enthusiast, poddy lamb mumma and skilled baker. Among all of these jobs, what is next on the agenda for your successful writing career? That’s very kind of you, Mel, it was lovely meeting you when we passed through Wagga Wagga and it’s clear you share that same passion for books! My main focus this month is redrafting my 2023 manuscript – A Place in the Vines – before submitting it to my publisher, Annette Barlow, in August. Then once that’s done, I’ll dive straight into writing my 2024 manuscript. And of course, there’s always plenty to be done around the property with three busy kids, rambling gardens and bottle feeding our latest intake of orphaned lambs!
Thank you Maya for your time, generosity and well, your novel! It’s an absolute joy to have shared our interview on melreviewsherbooks.com 💖📚💫 One big thank you to you, Maya, and Allen & Unwin for sending me this copy of ‘Paperbark Hill’ for review. Thank you for having me, Mel! And on behalf of the Aussie writing community, a big thanks for all your enthusiasm and good work getting our books into the hands of readers.
Averil Kenny is an Australian Author based in far north Queensland. Her debut novel ‘Those Hamilton Sisters’ was published in March 2021.
Averil Kenny is an Australian Author based in Northern Queensland. Her debut book ‘Those Hamilton Sisters’ was published in March 2021 by Bonnier Echo and Allen & Unwin Australia.
Hi Averil! Thank you so much for being my first ‘Author Talks’ feature on my new Book Blog! Welcome!
Hello, Mel! Thank you so much for this fabulous opportunity to chat about my first novel, Those Hamilton Sisters. I remember your lovely review in the early days of publication, and I’m forever thankful for your warm and enthusiastic response. It is very daunting launching your first book into the world, and readers & booksellers like you make the transition from writer to debut author such a joy!
How does it feel to be a published Australian Author? Tell us about your book journey.
I first decided I had to be an author at five years of age, and I pursued that goal devotedly right through school, university, work in the tourism industry, and the arrival of four children, until I finally accomplished it on my 41st birthday. My aim had been to be published by my 40th birthday, so I think I did all right!
To be perfectly honest, it’s still hasn’t truly sunk in. (Please don’t pinch me, I don’t want to wake up.) I think some of the surrealness owes to my regional location in Far North Queensland (FNQ). I am very removed from the ‘publishing world’ here – and I haven’t yet been able to meet my publisher and agent in person, nor any of the amazing and talented people who worked on my novel. Add to this the varying COVID restrictions of 2020/21, and it can feel very isolating as a regional author. Thankfully, we have the wonders of modern technology so the whole publishing and publicity process has been incredible, with so many opportunities thrown open to me. Walking into a local bookstore and seeing my novel on the shelf was the dream come true and every bit as magical as I imagined it would be. I was on a shining high for several weeks as readers and booksellers were sending photos of my novel in stores all over the country! That meant the world to me all the way up here.
‘Those Hamilton Sisters’ was a standout Australian fiction from the get go for me. I found myself immersed in the environment of northern Queensland, the sugar canes, the humidity, small town drama and gossip. Why did you choose this setting and when did Sonnet, Fable and Plums’ story come to you?
Having lived in the lush tropics since I was 8 years old, there was no place I’d rather write about! I still remember being utterly enchanted by this place upon my arrival from the South Coast of New South Wales, and I haven’t lost that sense of wonder since. It really is a place of such immense natural beauty and danger, amazing colour and quirkiness – like another world! Given how long I’ve lived here, and how much I adore the area, I knew I’d be able to bring this region to vivid life for readers. I worked in tourism for many years, guiding international tourists around the region, so I have an appreciation for how North Queensland is marvelled at through the eyes of visitors. I also have a deeply personal understanding of the way our tropical weather and environment shapes us and informs our daily lives. I have often said that the landscape of FNQ is a major character in the novel itself – playing its own crucial role in the plot, and acting upon each of the main characters.
Sonnet, Fable and Novella (called ‘Plum’) were suddenly ‘given’ to me by their mother, Esther Hamilton, when I was still a new mother myself. I felt very strongly that I was being asked to take care of these three, beautiful red-haired sisters, and the story seemed to take off from there. I just sat down, holding my newborn baby girl in my arms, and began to write out the first chapter in a hardcover journal. From then on, over many years, I let the girls lead me in their growing up. Although I knew the ultimate ending already, I was open to whatever direction Sonnet, Fable and Plum wanted to take.
I really enjoyed reading from Sonnet’s perspective. She’s headstrong, protective, determined and forward around her family and in the community, but deep down she’s so soft-hearted and empathic. Which character perspective was your favourite to write?
Choosing a favourite character is like choosing a favourite child. (Isn’t it whichever child is best behaved that day? Haha!) In truth, I loved and empathised most with whomever I was writing at a given time. The chapters alternate between perspectives, so I would go constantly between the two older sisters – Sonnet and Fable. I sometimes felt the characters influenced my life, and not the other way around. When I was writing Sonnet, I would become more assertive and headstrong, more like a mama bear with her cubs. Writing Sonnet made me feel powerful, capable and strong. Writing Fable, on the other hand, put me most in touch with my creativity. I always say, Fable has my dreamer’s heart. When writing Fable, I was channelling that part of me which swoons at natural beauty; believes in the ephemeral; finds endless inspiration in the lush rainforest; and embodies girlish love and longing. Plum plays a much smaller part in the story, partly because we first meet her as a very young child, but this was also a decision made for brevity, the novel being already so large at over 450 pages. I was always maternal towards Plum, she felt more like my daughter, whereas Sonnet and Fable felt like my sisters, and became my dear friends.
How long did it take you to write ‘Those Hamilton Sisters’? Did your initial draft and story bone structure change incredibly from then to now?
It took me approximately 15 years from when the beating heart of the story first revealed itself to me – when I was an expectant mother, living in a tiny villa overlooking sugarcane fields – to when it was published, in April 2021. The opening chapter remains largely the same as when I first sat down to pen it many years ago, newborn baby in arms. I was very much a ‘pantser’ in writing this novel, which allowed Sonnet, Fable and Plum to direct the story. I knew the ultimate ending of the novel from the very beginning, but not how we would get there. This worked in a ‘coming of age’ story, as it allowed the sisters’ lives to unfold organically. I loved that they had so much agency in the telling of their own stories.
My manuscript, when first finished, was about 160,000 words – far too long for commercial fiction. I worked steadily to bring this closer to a publishable state, over several years. At the start of 2020, I had a wonderful freelance editor – Alexandra Nahlous – take my manuscript on. Alex helped me to see how I could further reduce my novel to a commercially viable size, which was crucial to my success. Part of this entailed cutting Plum’s portion in the novel right down. This filled me with sadness at the time, but was unquestionably the best choice for the story as it stands today. My Beta Readers had all expressed some measure of frustration at having to cut away from the perspectives of Sonnet and Fable to that of a very young Plum. A child’s perspective didn’t fit well in my narrative and plot. Plum’s growing up, cut out, will remain a novella – boom tish – for me to cherish and keep.
I was aiming to self-publish my novel on my 40th birthday, in March 2020. My editor was key in encouraging me to approach a literary agent instead. I was incredibly lucky then to be taken on by stellar literary agent, Selwa Anthony, and when we first went out on submission, Echo Publishing and Bonnier Books UK offered me a two-book deal. Squeal!
Oh Averil… When is your next novel coming? I’m desperate and need to know just a peek of what it may be about, is this something you can share with us?
I am currently in the throes of a structural edit on my second novel, which is coming in 2022. I can tell you it is historical fiction set in a magnificent part of Far North Queensland in 1958, and features gutsy, spirited women solving a dark mystery together. Whereas ‘Those Hamilton Sisters’ dealt with small town judgement, my second novel centres on community spirit and camaraderie. It is a novel about strong female friendship, love, juicy family dynamics, going after your own happiness, and most of all: courage found in deep waters. My second novel has more thriller elements than the first, which I really enjoyed tackling. It is a stand-alone novel; with a whole new cast of colourful characters that I hope you’ll love!
Thank you so much for your time Averil! ‘Those Hamilton Sisters’ is available via the links provided within our discussion. All links are connected to my local bookshop 📚