❌ Why I DNF’d ‘Carrie Soto is Back’ by Taylor Jenkins Reid

I generally give a book 100 pages to get me in. If an author can give me the hook, have me invested in the characters, have me rooting for the journey/challenge the characters are facing and has me wanting to read, read, read – I will continue with a book. Sadly, I’ve lost that momentum with Carrie Soto is Back.

Only two nights ago I posted on my Instagram (give me a follow @melreviewsherbooks) to say how much I was enjoying this book and I was around the 60 page mark. But now, I’m sitting at 107, about to start a new chapter first thing this morning and I just find myself avoiding it!

I love tennis and the premise of this novel is fantastic. Carrie Soto is coming out of retirement after having 5 years off from a knee surgery, and she is aiming to defend her title of 12 grand slams in women’s singles. She is the greatest tennis player of all time. But the thing is, I don’t really feel connected or frankly like Carrie enough for me to keep reading her story. At the beginning, we’re learning about her Spanish heritage and how her father never made it pro and has invested his life in making Carrie a ‘tennis warrior’. Now at 100 pages, we’re in the thick of her play by play about which match is coming up, who she has to beat next, how she is training and what’s involved on her journey back to glory.

I think me DNFing this novel is a mixture of wanting deeper investment in Carrie, reminiscing on how I felt reading other Taylor Jenkins Reid books like The Seven Husbands of Evelyn Hugo and Daisy Jones & the Six, and just not feeling the same buzz with Carrie. Also, having so many books to read that I can happily re-home this to a friend who may enjoy it more.

What books have you DNF’d lately?? ❌

Book Autonomy

πŸ“Έ Clare Fletcher *stunning country romance author*

My confessing this may come as a shock to some people but it’s the honest truth. I finished up working in my local bookstore after near 7 years of being a bookseller … and I feel an overwhelming sense of book autonomy.

Here’s how I can explain …

Since working around books, I’ve always been given the generous opportunity to read books before they’re released (many of you would name these as ARC’s ‘advanced readers copies’) which are handed onto booksellers from Publishing House representatives. This is one of the most appealing and exciting parts of bookselling.

Yet, this comes with added pressure to always keep on top of the latest books, read the most anticipated novels before they hit shelves and recommend, recommend, recommend. I don’t mean to sound like this isn’t fantastic because it truely is – but the challenge comes when new stock is unboxed EVERY SINGLE DAY. That means, every week, I was taking home at least 3-4 new titles that NEED to be read. My book autonomy dwindled. My ability to finish books grew and my bookshelf has become an absolute MESS! Plus the added piles of books overtaking my living room, desk, bedroom, kitchen has become unbelievable!

Now, having closed the bookselling chapter, I’m pleased to revisit titles that are still new and popular like; Carrie Soto is Back by Taylor Jenkins Reid; Kookaburra Cottage by Maya Linnell; The Isles of the Gods by Amie Kaufman; Charlie, Love & ClichΓ©s by Ella Maise; I’m Glad My Mom Died by Jennette McCurdy; Thirst for Salt by Madelaine Lucas; One for my Enemy by Olivie Blake; and so many more! (this is just SOME of my TBR books πŸ€“)

In summary, I’m looking forward to a little time to read for pleasure, reignite my passion for diverse genres and get planning for the July 2024 Riverina Readers Festival πŸ“š